ALBUM QUILT

“Grandma’s Last Quilt”

©DEBRA LYNN MILLER

The first time I saw this design was in a book published in 2000 by Chitra Publications. Grandma’s Last Quilt. Loving applique and antique album quilts I immediately fell in love with the quilt. January 2001 I was a member of a group, Tucson Applique Stitchers, a chapter of The Applique Society.  Our annual focus was to create a quilt to donate to a worthy cause. A fellow member suggested we make this quilt. Also at the time Laurene Sinema’s line of fabric “1850’s Legacies & Beyond” was on the market.

Laurene Sinema’s line of fabric “1850’s Legacies & Beyond”

Laurene Sinema (June 22, 1929 - November 23, 2003) an inductee in the Arizona Quilters Hall of Fame had a huge influence on Arizona appliquers and quilters. Laurene was fighting her battle with cancer and the TAS decided we would use her fabric in the quilt as a tribute to her.

Twenty-five members of the TAS worked many hours to hand applique and hand quilt the Album Quilt. In November 2003 the quilt was raffled and proceeds were donated to Quilt for a Cause.

Quilt for a Cause Quilt

The winner of the quilt donated the quilt back to Quilt for a Cause for their 2006 auction. The quilt was entered in multiple quilt shows, including the International Quilt Show in Houston where it won a third place ribbon.

But the story for me does not end there. And no I did not win the quilt at the 2006 auction. But I can assure you it has a great new home where it is loved and adored.

While cruising a Phoenix antique store in 2006, I found the following advertisement for the Country Gentlewoman magazine dated 1941.

Country Gentlewoman

"Flower Album"

Of course I recognized it immediately as the Album Quilt the TAS had made. The advertisement says you can order a transfer pattern for $1.00. I am still trying to find out more information about this pattern. It is almost impossible to find past records from magazines from that time period. I was happy to have the original page from the magazine to add to my ephemera.

March 2008 the following quilt was on eBay, I knew I had to have it.

The eBay quilt had the exact same blocks as Grandma’s Last Quilt. I noticed the placements of the blocks were different. But when I looked at the ad from the Country Gentlewoman clearly the first three rows that run head to foot are the same block placement as my quilt. I was excited to own such a wonderful quilt.

Other sightings of this design:

In the book Minnesota Quilts (2005)  on page 118 is a quilt called Sampler Quilt. They are the exact same 25 blocks. At first glance the layout looked different. But then I noticed if I looked at the mirror image of the Minnesota Sampler Quilt it does have the same exact layout as my quilt.

Mirror Image Minnesota Sampler Quilt

I might guess the slide picture of the quilt was backwards when published. I would like to know.

In October 2008 I attended my first AQSG Seminar in Columbus, Ohio. I purchased a book from the silent auction. It is a small catalog of quilts from The Denver Art Museum (1974). A black and white picture of a quilt they call the Bride’s Quilt was pictured. I wrote right away to see if I could obtain a color picture. Found out it was published in a Japanese book American Patchwork Quilt-The Denver Art Museum (1986).  The DAM quilt was made and gifted to the museum by Charlotte Jane Whitehill. Whitehill dates her quilt 1945 and attributes the pattern given to her by Hazel Cline Lennartson. Information from DAM adds:

“The Lennartson family pattern, probably a copy of one of the Lennartson brides’ quilts with each square donated by a friend of the bride."

The DAM quilt has all 25 blocks and the layout is almost perfect match with my quilt if you do a mirror image. There are two blocks in the DAM quilt that are in a different location. Top row fourth block and third row second block are switched. Again could the slide have been put in backwards? Question for further study.

Came across another quilt with 12 of the 25 blocks.  This is in a book called American Beauties: Rose and Tulip Quilts (1988). The authors say:

“These 12 blocks and 13 others were first published by Country Gentleman in 1941 in an article about a sampler quilt from 1850. Around 1945, Charlotte Jane Whitehill used all of the patterns in her famous BRIDE’S QUILT, now in the Denver Art Museum.”

So Gwen Marston and Joe Cunningham, the authors, in 1988 had some piece of information that said Charlotte Jane Whitehill used the patterns? Or did they assume she used the patterns because of the dates?

They also refer to an article in Country Gentleman about a sampler quilt from 1850. The ad I have says Country Gentlewoman. I need to find out if there was such an article in the Country Gentleman. This quilt can now be seen on The Quilt Index.  This is where my research ends for now. 

If you have any information on this pattern I’d love to hear from you.

ALBUM QUILT

“Grandma’s Last Quilt”

©DEBRA LYNN MILLER

The first time I saw this design was in a book published in 2000 by Chitra Publications. Grandma’s Last Quilt. Loving applique and antique album quilts I immediately fell in love with the quilt. January 2001 I was a member of a group, Tucson Applique Stitchers, a chapter of The Applique Society.  Our annual focus was to create a quilt to donate to a worthy cause. A fellow member suggested we make this quilt. Also at the time Laurene Sinema’s line of fabric “1850’s Legacies & Beyond” was on the market.

Laurene Sinema’s line of fabric “1850’s Legacies & Beyond”

Laurene Sinema (June 22, 1929 - November 23, 2003) an inductee in the Arizona Quilters Hall of Fame had a huge influence on Arizona appliquers and quilters. Laurene was fighting her battle with cancer and the TAS decided we would use her fabric in the quilt as a tribute to her.

Twenty-five members of the TAS worked many hours to hand applique and hand quilt the Album Quilt. In November 2003 the quilt was raffled and proceeds were donated to Quilt for a Cause.

Quilt for a Cause Quilt

The winner of the quilt donated the quilt back to Quilt for a Cause for their 2006 auction. The quilt was entered in multiple quilt shows, including the International Quilt Show in Houston where it won a third place ribbon.

But the story for me does not end there. And no I did not win the quilt at the 2006 auction. But I can assure you it has a great new home where it is loved and adored.

While cruising a Phoenix antique store in 2006, I found the following advertisement for the Country Gentlewoman magazine dated 1941.

Country Gentlewoman

"Flower Album"

Of course I recognized it immediately as the Album Quilt the TAS had made. The advertisement says you can order a transfer pattern for $1.00. I am still trying to find out more information about this pattern. It is almost impossible to find past records from magazines from that time period. I was happy to have the original page from the magazine to add to my ephemera.

March 2008 the following quilt was on eBay, I knew I had to have it.

The eBay quilt had the exact same blocks as Grandma’s Last Quilt. I noticed the placements of the blocks were different. But when I looked at the ad from the Country Gentlewoman clearly the first three rows that run head to foot are the same block placement as my quilt. I was excited to own such a wonderful quilt.

Other sightings of this design:

In the book Minnesota Quilts (2005)  on page 118 is a quilt called Sampler Quilt. They are the exact same 25 blocks. At first glance the layout looked different. But then I noticed if I looked at the mirror image of the Minnesota Sampler Quilt it does have the same exact layout as my quilt.

Mirror Image Minnesota Sampler Quilt

I might guess the slide picture of the quilt was backwards when published. I would like to know.

In October 2008 I attended my first AQSG Seminar in Columbus, Ohio. I purchased a book from the silent auction. It is a small catalog of quilts from The Denver Art Museum (1974). A black and white picture of a quilt they call the Bride’s Quilt was pictured. I wrote right away to see if I could obtain a color picture. Found out it was published in a Japanese book American Patchwork Quilt-The Denver Art Museum (1986).  The DAM quilt was made and gifted to the museum by Charlotte Jane Whitehill. Whitehill dates her quilt 1945 and attributes the pattern given to her by Hazel Cline Lennartson. Information from DAM adds:

“The Lennartson family pattern, probably a copy of one of the Lennartson brides’ quilts with each square donated by a friend of the bride."

The DAM quilt has all 25 blocks and the layout is almost perfect match with my quilt if you do a mirror image. There are two blocks in the DAM quilt that are in a different location. Top row fourth block and third row second block are switched. Again could the slide have been put in backwards? Question for further study.

Came across another quilt with 12 of the 25 blocks.  This is in a book called American Beauties: Rose and Tulip Quilts (1988). The authors say:

“These 12 blocks and 13 others were first published by Country Gentleman in 1941 in an article about a sampler quilt from 1850. Around 1945, Charlotte Jane Whitehill used all of the patterns in her famous BRIDE’S QUILT, now in the Denver Art Museum.”

So Gwen Marston and Joe Cunningham, the authors, in 1988 had some piece of information that said Charlotte Jane Whitehill used the patterns? Or did they assume she used the patterns because of the dates?

They also refer to an article in Country Gentleman about a sampler quilt from 1850. The ad I have says Country Gentlewoman. I need to find out if there was such an article in the Country Gentleman. This quilt can now be seen on The Quilt Index.  This is where my research ends for now. 

If you have any information on this pattern I’d love to hear from you.

Ironer/Mangle Ruby McKim

What Fun!

Who says that about ironing? Me, now that I have my Iron Rite Ironer (Mangle) working. I had no idea how much fun and how neat this was to use.

We took a little trip in April to California and some of our favorite antique stores. I like the stores in Orange best. I purchased this top.

















Paid way too much for it, but I am a sucker for Ruby McKim patterns and this is flowers from her
"Flower Garden Quilt" 1930.




It did have issues. Some stains and the construction was awful. Big rippley sashing. I just had to start taking it apart immediately. So after a trip to Jo-Ann's for a seam ripper, I spent the remaining days of our trip taking it apart. Not an easy project. Tiny, tiny stitches in some parts.



















By the time we got back home I had it all apart. Soaked the blocks, and gently washed the green sashing and borders. I knew I wanted to make the blocks smaller, too much background for me. When I had them all laid out to dry, I thought about the Iron Rite Model 88 I had sitting in my garage for over a year. One thing lead to another, and soon I had the thing working with a new muslin cover. Doesn't it look great?







I had no idea just how great this was to iron with. It is soooo cool! In no time at all I had all of the blocks and sashing pressed and ready to recut. This machine is a must if you love and do applique and embroidery. There is no way my handheld iron could have gotten these so perfectly pressed. You press them damp and it is like you starched them. If you want more info on the ironers check this site out. 
Lots of info and there are videos on using the thing. Who knew?

Finished top!

I am very happy with the finished results. Now I am thinking about all those vintage dresser scarfs that need washing and ironing.

Orange Quilts in My Collection

Rose of Sharon

Cross stitch Blocks

Cheddar c. 1880

One of my favorite patterns Robbing Peter to Pay Paul. I always wanted to make this pattern.

I think this might be a kit quilt

Bethlehem Star

A sampler with a 1974 date.

This is a Mountain Mist Pattern.

Alice in Wonderland Crib Quilt

New crib quilts in my collection.
Made from a kit ca. 1940
Don't have the name of this one.

This one is too cute!
All different animals, I have seen a McCall's pattern similar to this so this might have been made from a pattern. Maybe from the 30's

I have wanted an Alice in Wonderland quilt for over 10 years.
Saw one on Ebay in 1999 but was outbid, looking for one ever since

Alice in Wonderland Quilt from a Progress Kit Quilt.
ca. 1955

Quilt Pattern Name?

These were from the Road to California 2009 special exhibit of Orange Quilts. Wondering about the pattern for one below. Had to post all of the pictures. They are so great.






Does anyone know the name of this pattern?
I am sure I have seen it before.

























Never thought about orange before seeing this exhibit of orange quilts.

Did I say I am now collecting orange quilts?


Don't have too many. Will post pictures of mine later.

Antique Rose Quilt

I was just going through some old Quilter's Newsletter Magazines, sorting to get ready to take to a sale this weekend. One cover caught my eye, June 1984. The info says "Antique Rose, ca. 1935 made by Lillian Whiting Shirer of Topeka Kansas. Quilt from the collection of Marie Shirer. The pattern for the quilt is on pages 22-23.



This quilt made me think of a quilt by Rose Kretsinger that I saw in Lawrence Kansas at the Spencer Museum of Art in September 2008. Not quite the same but very similar. Rose was from Emporia Kansas. Lillian and Rose must have shopped for their patterns at the same place. I don't have the date for this quilt, but pretty sure it is the same time period as the one on the Quilter's Newsletter. Sorry my picture is so bad and I could not find the quilt on the The Quilt Index. http://www.quiltindex.org/index.php. This quilt is pictured, in black and white, on page 240 of "The Romance of the Patchwork Quilt in America" by Carrie A. Hall and Rose G. Kretsinger.



In the January/February 2010 McCall's Quilting on page 36-39 is a very similar quilt.
This is designed by Robert Callaham. If you don't have a copy here is their web address and it shows a picture of the quilt. It is called "Antique Rose".

http://www.mccallsquilting.com/issues/January_February_2010

I'm sure there are lots more patterns similar to these. Copied from an even early time period. Now I'll be looking for this pattern in the 19th Century quilts. Fun!

Ruby McKim 1930 Patchwork Sampler Quilt

I love quilt designs by Ruby Short McKim. These patterns were published weekly in newspapers around the country. Cherry Basket block appear first on March 30, 1930 in the Kansas City Kansan. I went to EQ and was able to find all of the patterns. The EQ picture is how the original pattern was designed. It will be much easier to reproduce using updated methods of constructions. I need to do more research as to the colors. Each original patterns usually had color recommendations. I would love to make this quilt. I have a vintage top with all but one of the patterns.

25 Block names --

Cherry Basket, Bear’s Paw, Sunbeam, Double T, Noon Day Lily

Corn and Beans, Crazy Ann, Rising Sun, Grandmother’s Cross, Rambler

The Mill Wheel, Sky Rocket, Order No. 11, The Weathervane, Spools

Road to Oklahoma, Wild Goose Chase, The Strawberry, The V Block

Crosses and Losses, Grandmothers Fan, Road to California

Palm Leaf, Double Nine Patch, Little Beech Tree

Here is picture of my vintage Ruby McKim Sampler Quilt. It needs work. Would love to take it apart and set it like the original. Update--I have taken this apart.  Found several of the blocks that need a little lot of help. Still working on this.

Update--

I have a few more examples of this pattern since I first wrote about Ruby McKim's Sampler Quilt.

I purchased this quilt in Pennsylvania two years ago. I knew right away when I saw it hanging on the wall it had to come home with me. I was so excited to find this.

Found this quilt in Oregon last summer.  It is old blocks with a current setting.  It is machine quilted beautifully.  Wish I knew who did it, they did a beautiful job and used the original quilting pattern of Ruby McKim's.  I had to have it.

Can you see the big hole in this one right in the middle.  Also other problems, the tan (think it might have been green at some time) is shredding and some of the cones look like an animal might have enjoyed nibbling. The fabric looks like it could have been in the makers stash for a while, since this pattern did not appear until 1930.  It is machine quilted.  A pattern I have seen before in early quilts. I found this in Oregon last year also.  Couldn't leave it there had to rescue it for $32.  

You can see some of my other sampler quilts Here.