Tuesday, September 20, 2016

White on White Candlewick Spread

I found this spread in Ohio about a year ago.  Ripped and dirty, with very worn fringe, I knew I had to rescue. In one of the photos you can see where I hand stitched and repaired the spread.  I also show the back of the spread where you get a very good look at the embroidery.  Very thick and heavy thread used to make the knots and the tufted work. The ground fabric is cotton, very heavy and strudy.  I have no idea of the date for something like this.  The fringe around 3 sides was worn and missing in most areas.  It easily broke when pulled just a little.  I chose to remove all the fringe, but I have kept an example.

Tuesday, September 6, 2016

Dolly and her little quilt


“Grandma’s Last Quilt”

The first time I saw this design was in a book published in 2000 by Chitra Publications. Grandma’s Last Quilt. Loving applique and antique album quilts I immediately fell in love with the quilt. January 2001 I was a member of a group, Tucson Applique Stitchers, a chapter of The Applique Society.  Our annual focus was to create a quilt to donate to a worthy cause. A fellow member suggested we make this quilt. Also at the time Laurene Sinema’s line of fabric “1850’s Legacies & Beyond” was on the market.
Laurene Sinema’s line of fabric “1850’s Legacies & Beyond”
Laurene Sinema (June 22, 1929 - November 23, 2003) an inductee in the Arizona Quilters Hall of Fame had a huge influence on Arizona appliquers and quilters. Laurene was fighting her battle with cancer and the TAS decided we would use her fabric in the quilt as a tribute to her.
Twenty-five members of the TAS worked many hours to hand applique and hand quilt the Album Quilt. In November 2003 the quilt was raffled and proceeds were donated to Quilt for a Cause.
The winner of the quilt donated the quilt back to Quilt for a Cause for their 2006 auction. The quilt was entered in multiple quilt shows, including the International Quilt Show in Houston where it won a third place ribbon.
But the story for me does not end there. And no I did not win the quilt at the 2006 auction. But I can assure you it has a great new home where it is loved and adored.

While cruising a Phoenix antique store in 2006, I found the following advertisement for the Country Gentlewoman magazine dated 1941.

Country Gentlewoman
"Flower Album"

Of course I recognized it immediately as the Album Quilt the TAS had made. The advertisement says you can order a transfer pattern for $1.00. I am still trying to find out more information about this pattern. It is almost impossible to find past records from magazines from that time period. I was happy to have the original page from the magazine to add to my ephemera.

March 2008 the following quilt was on eBay, I knew I had to have it.

The eBay quilt had the exact same blocks as Grandma’s Last Quilt. I noticed the placements of the blocks were different. But when I looked at the ad from the Country Gentlewoman clearly the first three rows that run head to foot are the same block placement as my quilt. I was excited to own such a wonderful quilt.

Other sightings of this design:
In the book Minnesota Quilts (2005)  on page 118 is a quilt called Sampler Quilt. They are the exact same 25 blocks. At first glance the layout looked different. But then I noticed if I looked at the mirror image of the Minnesota Sampler Quilt it does have the same exact layout as my quilt.
Mirror Image Minnesota Sampler Quilt

I might guess the slide picture of the quilt was backwards when published. I would like to know.
In October 2008 I attended my first AQSG Seminar in Columbus, Ohio. I purchased a book from the silent auction. It is a small catalog of quilts from The Denver Art Museum (1974). A black and white picture of a quilt they call the Bride’s Quilt was pictured. I wrote right away to see if I could obtain a color picture. Found out it was published in a Japanese book American Patchwork Quilt-The Denver Art Museum (1986).  The DAM quilt was made and gifted to the museum by Charlotte Jane Whitehill. Whitehill dates her quilt 1945 and attributes the pattern given to her by Hazel Cline Lennartson. Information from DAM adds:
“The Lennartson family pattern, probably a copy of one of the Lennartson brides’ quilts with each square donated by a friend of the bride."
The DAM quilt has all 25 blocks and the layout is almost perfect match with my quilt if you do a mirror image. There are two blocks in the DAM quilt that are in a different location. Top row fourth block and third row second block are switched. Again could the slide have been put in backwards? Question for further study.
Came across another quilt with 12 of the 25 blocks.  This is in a book called American Beauties: Rose and Tulip Quilts (1988). The authors say:

“These 12 blocks and 13 others were first published by Country Gentleman in 1941 in an article about a sampler quilt from 1850. Around 1945, Charlotte Jane Whitehill used all of the patterns in her famous BRIDE’S QUILT, now in the Denver Art Museum.”

So Gwen Marston and Joe Cunningham, the authors, in 1988 had some piece of information that said Charlotte Jane Whitehill used the patterns? Or did they assume she used the patterns because of the dates?
They also refer to an article in Country Gentleman about a sampler quilt from 1850. The ad I have says Country Gentlewoman. I need to find out if there was such an article in the Country Gentleman. This quilt can now be seen on The Quilt Index.  This is where my research ends for now. 
If you have any information on this pattern I’d love to hear from you.

Monday, September 5, 2016

Patriotic Vintage Linens

Not only do I love the 20th century embroidered quilts and embroidered redwork quilts.  I love just about any linen with embroidery, if it is of the vintage area.  So when I am out doing search and rescue (shopping in antique shop) I can not pass up so many of the forgotten dresser scarves,  pillow covers, pillowcases and other odds and ends.  I have been collecting these for a long time and have many, as in 4 or 5 boxes full.  When I first started accruing these, they were pretty in expensive, usually less than $5.  But I have paid $50 or more for some of the ones mounted in frames, just because I really loved it and did not have that example.  Needless to say if I only worked with the vintage linens with any of my project I could not use them all in the rest of my life time.  But I have made a dent and have many, many ideas for more. Hope you enjoy this latest one. It is 98 inches wide and 90 inches long.  Jessica Gamez did the amazing custom longarm quilting on this.  I just love it.

Sunday, July 31, 2016

Doll and Small Antique Quilts

15 x 21.5 inches

20 x 26 inches

16 x 18.5 inches

16 x 23 inches

20 x 28 inches

32 x 45 inches

Sunday, April 24, 2016

Laurene Sinema Red Work Farm Pattern

I was very fortunate, several years ago, to acquire the original redwork needlework that inspired Laurene Sinema Pattern,  Red Work Farm. 

Original Needlework

Friday, February 5, 2016

Contained Crazy Quilt

I love this contained crazy patchwork.  It was tied when I first found it.  I am not fond of tied quilts, and always want to remove the ties.   Which is what I did.  And boy am I glad I did.  Found a little secret right underneath one of the ties, what a wonderful surprise.  The blocks are all sewn onto a foundation. This one is on the list to hand quilt.  

Grace Rice 1893